"Simply Splendid,
  a bit tough on Britt  though"

Ingrid Pitt on Issue no.1

The Story So Far…….

Nuada came into creation quite spontaneously and without any real expectations of how popular it would become. As a student of Humanities,  faced with the daunting prospect of dissertations-on-any-subject-of-interest, my long-standing fascination with The Wicker Man seemed to me the obvious way of fusing together all that is  mythical, philosophical, and literary, under one deliciously thought-provoking roof.

Yet from the moment I began my research in September 1998, I began to think I was perhaps alone in my admiration of the film. The sheer scarcity of information was both frustrating and peculiar to say the least; that virtually all books ever written on British cinema completely omit any mention of
The Wicker Man convinced me further that some kind of written material on the film was long overdue. That's where Nuada came in - call it a kind of afterthought, it certainly opened up a few surprising paths; within weeks of actually putting out the feelers on the film it became clear that I was going to have my work cut out for me , so to speak. Just answering all the letters which came flooding in proved to be a full-time job. 

The response I received to an ad I placed in the Galloway Gazette (Galloway being the place where much of the film was shot) was unbelievable, everyone from local people to cast and crew members, to the national press and various radio stations contacted me in the space of one weekend. The very fact that here I was suddenly discussing the film with a whole host of interested parties confirmed that my initial suspicion - that the  film may have gone by unnoticed by all except me - was a touch paranoid on my part.

Since then Nuada has come a long way and I've met many who were involved in the making of the film, and even more so in the way of enthusiasts from all over the UK and America. With two editions in circulation at present, and a third on its way in time for early Spring, and still no sign of interest dying out,  who can say  what course Nuada will take in the future.

I suspect that
The Wicker Man, on the other hand, with its  potential for reflecting fresh meaning to successive generations, together with the exciting developments taking place around the film, will continue to burn  brightly for a long, long,  time to come yet.

Ingrid Pitt gives the first edition of Nuada the once over

Edward Woodward receives a warm welcome from the local punters of  the 'Green Man' - Ellangowan Hotel -
during the making of the BBC Scotland documentary in November, 1998.

January 1999 witnessed the gathering of some enthusiasts at the 'Green Man' for a weekend of all things wicker-related. Above, some of our group snapping the cottage Harbour Gallery in Kirkcudbright, which doubled as the exterior of the bakery. Below  right, the clifftops at Burrowhead - where the climactic scene was filmed - make an atmospheric close to a day of location spotting!
(For a full report of the first ever Wicker Convention to date, see Issue 2)

Above,  A great find! The evil-eye boat is beautifully preserved in its Plockton hideaway - where the opening scenes of summerisle were shot

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